Saul Zaentz ; February 28, 1921 – January 3, 2014) was an American film producer and former record company executive. He won the Academy Award forBest Picture three times and in 1996 was awarded the Irving G. Thalberg Memorial Award.

Zaentz's film production career was marked by a dedication to the adaptation of the novel. A prolific reader, Zaentz typically did not produce original screenplays. His final production, Goya's Ghosts, was an exception, being an original story by Jean-Claude Carrière and Miloš Forman.

Early life

Zaentz was born on February 28, 1921, to immigrant Jewish parents in Passaic, New Jersey. As a child, Zaentz attended William B.Cruz Memorial school number 11 in Passaic, New Jersey. After serving in the United States Army during World War II, Zaentz began realizing his passion for music by working for Jazz at the Philharmonic and record company head Norman Granz, a job that included managing concert tours for musicians such as Duke Ellington and Stan Getz.

Music career, Disputes with Creedence Clearwater Revival

In 1955 he joined Fantasy Records,[4] for many years the largest independent jazz record label in the world. In 1967 Zaentz and other partners purchased the label from founders Max and Sol Weiss. The partners signed roots-rock group Creedence Clearwater Revival (CCR), fronted by former Fantasy warehouseman John Fogerty.

Fantasy Records owns the distribution and publishing rights to the music of CCR; to extricate himself from his original contract with Fantasy, John Fogerty signed away even more than the original contract had stipulated. Additionally, bad investments by Zaentz and Fantasy, seemingly on the group's behalf, cost CCR millions of dollars, some of which they recouped through legal proceedings. In the 1980s, Zaentz sued Fogerty for plagiarizing himself asking $140 million in damages, and lost (Fantasy, Inc. v. Fogerty); Fogerty sued for reimbursement of attorneys' fees and won in a case that reached the U.S. Supreme Court, Fogerty v. Fantasy, 510 U.S. 517 (1994). The songs "Zanz Kant Danz" and "Mr. Greed" from Fogerty's album Centerfield are thinly veiled slams at Zaentz.

Zaentz brought a series of lawsuits against Fogerty, claiming defamation of character for the lyric "Zanz can't dance but he'll steal your money," and also claiming that the fundamental music in "The Old Man Down the Road" was a lift from the Fantasy-copyrighted-but-Fogerty-written song "Run Through the Jungle" from CCR's smash 1970 album Cosmo's Factory. The defamation issue was settled, with Warner Bros. and Fogerty changing the title and lyric to "Vanz Kant Danz".[citation needed]Zaentz lost on the copyright issue as a jury found Fogerty not liable. Fogerty in turn claimed the label misled him about investing and managing his earnings from royalties, resulting in a devastating financial loss. Years later, when Zaentz sold his interest in Fantasy, Fogerty almost immediately re-signed with the label.

Film career

Zaentz received the Best Picture Oscar for three films, two of them directed by Miloš Forman—One Flew Over the Cuckoo's Nest(1975) and Amadeus (1984)—as well as for The English Patient (1996), directed by Anthony Minghella.

In the early 1970s he saw the stage adaptation of Ken Kesey's novel One Flew Over the Cuckoo's Nest at a theatre in the Jackson Square area of San Francisco. Zaentz co-produced the film adaptation with Michael Douglas. The film won five Academy Awards including Best Picture, which Zaentz and Douglas shared.

In 1980 Zaentz created The Saul Zaentz Film Center in Berkeley, California, an editing and sound-mixing studio for his own films, independent filmmakers and Hollywood productions.

In 1984 Zaentz and Forman collaborated again, on the adaptation of the Peter Schaffer's stage play Amadeus about composerWolfgang Amadeus Mozart. It won eight Academy Awards, including Zaentz's second Best Picture, and spun off a best-selling soundtrack album (distributed by Fantasy Records).

Zaentz next produced The Mosquito Coast, directed by Peter Weir on location in Belize, Central America, starring Harrison Ford, from the book by Paul Theroux.

In 1988 Zaentz produced The Unbearable Lightness of Being, based on the Milan Kundera novel. The adaptation was directed by San Francisco's Philip Kaufman from a screenplay by Jean-Claude Carrière.

Zaentz's following film, At Play in the Fields of the Lord, adapted by Jean-Claude Carrière from the book by Peter Matthiessen, shot by Hector Babenco on location in the Amazon rain forest, continued Mosquito Coast's theme of the clash of western values with the primitive.

In 1992 Zaentz purchased the rights to the unpublished novel The English Patient and worked up a scenario with author Michael Ondaatje. In developing the project Zaentz resisted attempts by his backers to make the story more acceptable to a mainstream audience by casting of Demi Moore in a leading part. The book was adapted for the screen and directed by Anthony Minghella.English Patient swept the 69th Academy Awards, winning Best Director for Minghella and Best Picture for Zaentz. At the same ceremony, Zaentz also accepted The Irving G. Thalberg Memorial Award for lifetime achievement.

In 2003, Zaentz was made a Fellow of BAFTA, in recognition of his film career.

In 2004–2005 Zaentz and partners sold Fantasy Records to independent jazz label Concord Records, and closed the Saul Zaentz Film Center.

In 2005–2006 Zaentz embarked on a new film project, Goya's Ghosts, centered on events in the life of Spanish painter Francisco Goya, starring Natalie Portman, Javier Bardem, Stellan Skarsgård as Goya, and featuring Randy Quaid as the king of Spain. The film was made with long-time collaborators Miloš Forman (director) and Jean-Claude Carrière (screenplay). Shot on location in Spain and edited in New York, the film was released in late 2006.

The Hobbit and The Lord of the Rings

In 1976 Zaentz acquired certain rights in J. R. R. Tolkien's books of The Hobbit and The Lord of the Rings. In 1978 he produced an animated version of The Lord of the Rings, written chiefly by Peter S. Beagle and directed by animator Ralph Bakshi. Through Middle-earth Enterprises, Saul Zaentz owns the worldwide film, stage, and merchandise rights to The Lord of the Rings and The Hobbit. Saul Zaentz's Tolkien Enterprises signed an exclusive, worldwide license with Iron Crown Enterprises in 1982, which was at the time the biggest license in the history of the role-playing game industry.

Zaentz was peripherally involved in the controversy about who would make a live-action film version of The Hobbit, because of his ownership of the film rights to the novel. Peter Jackson, who directed the successful The Lord of the Rings film trilogy, was the first person scheduled to direct The Hobbit.

However, Jackson's production company Wingnut Films questioned New Line Cinema's accounting methods, bringing in an outside auditor as allowed by the contract, and eventually sued New Line. New Line executive Robert Shaye took great offense, declared that they would never work with Jackson again, and began looking for another director.

Jackson said that he couldn't work on the film until the lawsuit was settled, and that he was apparently off the project indefinitely.MGM, which owns the distribution rights, was more optimistic that a deal could be worked out.

Shaye explained his company's position, saying that New Line's contract with Zaentz was going to expire soon, which forced them to find a new director. Of course, if the litigation were resolved, by a court or by a settlement, the original plan could proceed, but then New Line might need to reorganize to allow someone other than Shaye to deal with Jackson.

The situation was made more complex by Zaentz's ongoing dispute with New Line Cinema over profits from the Lord of the Ringsfilms. The dispute began shortly after the release of the films. In December 2007 Variety reported that Zaentz was also suing New Line Cinema, alleging that the studio has refused to make records available so that he can confirm his profit-participation statements are accurate.

In 2010 it became clear that Peter Jackson would direct the movie after all.

In 2011, Zaentz' company began several legal actions against small businesses in the UK to enforce their "Hobbit" trade mark, including the Hungry Hobbit cafe in Sarehole, near Birmingham and a pub in Southampton, England, which had traded asThe Hobbit for twenty years. This raised the ire of many British correspondents such as Stephen Fry, who described it as "pointless, self-defeating bullying."

In contrast, the biscuit company Bahlsen relaunched its long established and unlicensed German brand of Hobbit biscuits for the UK market, as Chocolate Hobbits and Hobbits Natural, in a marketing tie-in with the film.

The Saul Zaentz Film Center

The Saul Zaentz Film Center (now the Zaentz Media Center) was a facility in Berkeley, California, that for many years provided production and post-production services for Bay Area filmmakers.

Along with American Zoetrope and Lucasfilm, it was one of only three major film production facilities in Northern California. By 2005, it has largely shut down its post-production facilities, except for the foley recording studio, which is part of the still-activeFantasy Studios.

The film center was sold in 2007 and, after renovations, became the Zaentz Media Center. It continues to house The Saul Zaentz Company, Concord Music Group and Fantasy Studios as well the Berkeley Digital Film Institute and other media production companies.

Death

Zaentz died on January 3, 2014 in San Francisco, California, after suffering from Alzheimer's disease for some years. He was 92 years old.

Filmography

Year Film Director Oscar wins Oscar nominations

1972 Payday Daryl Duke    

1975 One Flew Over the Cuckoo's Nest Miloš Forman 5 9

1978 The Lord of the Rings Ralph Bakshi    

1978 Three Warriors Kieth Merrill    

1984 Amadeus Miloš Forman 8 11

1986 The Mosquito Coast Peter Weir    

1988 The Unbearable Lightness of Being Philip Kaufman   2

1991 At Play in the Fields of the Lord Héctor Babenco    

1996 The English Patient Anthony Minghella 9 12

2005 Goya's Ghosts Miloš Forman